For my final piece I will attempt to
reframe and rework a collection of found footage and still photographs into an
original abstract narrative. I will be looking at the ways we document our
lives in a bid to leave a mark and prove our existence, long after we have
passed. This piece will draw inspiration from both Bill Morrison’s Decasia for
the moving image section of my work, and Chris Marker’s La Jetee for the photo
roman portion of these works.
Using the themes and characters from the
footage I intend to rework these images in order to create a new narrative.
This footage will then be projected onto manmade structured and textures – such
as brick walls, buildings etc., which intend to reinforce my theme. The footage
will then be captured on a variety of formats - old and new, digital and
analogue to further manipulate the original footage.
The
found footage
The found footage I will be using has
already been sourced from a local charity shop. These are a collection of home
movies capturing the lives of an unknown family. This footage was the
inspiration for the project, as these images were left behind and discarded,
but is still proof that these people existed.
This footage caused me to rethink the ways
we use both photographic and film based mediums in the modern world. In the
information age we now use both still and moving images as proof of our
existence via social networking. The endless archives of photos and videos will
carry on long after we exist, to leave something behind, much like the cave
paintings of our ancestors.
The
Piece will be in three parts
Part
1 - will be the reworking of the found footage,
which will be projected, re-filmed and reworked.
Part
2 - will be a photo roman of images that capture
how mankind leaves their mark on the physical work. Such as graffiti, buildings
and statues etc.
Part
3 - will be a destruction of the collected works in
order to reinforce the idea that we are finite. Both us, our legacies, our
photos and memories will eventually decay and will one day cease to exist.
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